| ARTISTS MAKING PANEL PAINTINGS | |
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Marcia paints a portrait Des femmes nobles et renommées Paris, BNF fr. 12420 f. 101v
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| PANEL PAINTING TECHNIQUES |
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| Uses of Panel Paintings | ||
|---|---|---|
Iconostasis Bramble, Minn. |
Altarpiece on Altar |
In a Domestic Setting Amiens, Bibliotheque municipale
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Altar Panel
Barcelona: Museo d'arte 12th c. tempera |
| Wilton Diptych | |
Front |
Back |
| Siena, Italy: Duomo
Duccio: Maesta Altarpiece, 1305-11 |
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Encaustic: Painting in which pigments have been mixed with wax, a technique commonly used in the Early Christian period.
Egg tempera: Paint made from dried pigments mixed with egg yolk and thinned with water. Used on panel paintings until the fifteenth century.
Gesso: A primer used on panel paintings, made of either gypsum or chalk, forming a base on which the tempera is applied. Often mixed with plaster to form raised areas which are commonly stamped with decorative patterns (e.g., on halos, borders of drapery, etc.).
Pigment: Basic colors used to make paint. Medieval
pigments are mainly made from earths or from metals heated to various temperatures.
Click here for example of Medieval
pigment making procedures.
Gold: Used in two ways: either ground to a powder
and applied with a paintbrush, or beaten into very thin sheets, applied
over a ground of bole (a clay-like substance containing iron-oxide),
and burnished by rubbing gently with a smooth surface (a tooth was
frequently used for this).